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Photo Composite · 2025
Two parents, each shot separately, brought naturally in front of six children already photographed together in black and white, composited into an eight-person family portrait. A 5R print refined through six preview rounds.


Six children already photographed together in one black-and-white shot. The family asked to bring two parents, photographed separately long ago, in front of them for a family portrait of all eight together.
Leave it to AI and the pose, gaze, and light of the two added people fall out of register, leaving them floating unnaturally. Working from the deep studio-background light of the six children's original, Davinci matches the hanbok and suit weave of the two parents, the surfaces the light touches, and the shadow direction as if shot by one camera. The two parents' original likenesses were carried over straight from the old photos, leaving untouched the expressions the family recognizes.
This work seated the mother in a pink hanbok and the father in a suit in front chairs, with the six children arranged in a classic family-portrait composition, a hand on each shoulder. Through six preview rounds, the pose, clothing, and tone were refined together until the family was satisfied, finished at 5R.
One free preview before payment. Rather than ending in one pass, revisions continue at no extra cost until the family is satisfied. The same 32-year standard used for memorial and restoration work applies to composite work as well.
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1960s black-and-white family group photo. Where AI smears rear-row faces into similar features, Davinci splits each face area individually to restore every family member's original likeness.

KBS Salim Nam 2 (Park Seo-jin, Park Young-gyu family photos), MBC Hangout with Yoo (Mijoo artist) — the 32-year standard a TV-broadcast studio applies identically to every ordinary family request.

Four people photographed in different eras, places, and lighting — never once in the same frame. A composite that restarted from an honest 'this looks like different people' first-preview reaction and ended at a portrait the client 'wouldn't trade for any fortune.'
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