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Photo Composite · 2024
Photo restoration chosen by broadcast — KBS Salim Nam 2, MBC Hangout with Yoo
KBS Salim Nam 2 (Park Seo-jin, Park Young-gyu family photos), MBC Hangout with Yoo (Mijoo artist) — the 32-year standard a TV-broadcast studio applies identically to every ordinary family request.
KBS Salim Nam 2 · MBC Hangout with Yoo, +8 appearances
Story1 min read
How this work was made
Studio Davinci has been featured on KBS Salim Nam 2, MBC Hangout with Yoo, and other broadcasts — 8 appearances total. Salim Nam 2 covered Park Seo-jin's family photo, Park Young-gyu's solo and couple photos, Hwanhee's mother's memorial portrait, and artist Moon Mi-sol's work (2025 episode); Hangout with Yoo featured two pieces of Mijoo artist's work.
Broadcast PDs chose Davinci for the authenticity of results. Broadcast cannot be undone once it airs. AI's "pretty result" was not enough — what was needed was "the photo as it was that day." Period color verification, preservation of original likeness, free preview before payment, and human finishing were the standard.
This case is the Park Seo-jin family photo restoration from Salim Nam 2. The full Davinci workflow — restoring a faded family photo to natural color — was shown on the broadcast.
8 broadcast appearances is not just an authority signal. The "broadcast-level result" is applied to every ordinary family request under the same 32-year standard. Binggrae Chairman Kim's memorial portrait and the 87 independence activist portraits all hold to the same bar.
Broadcast photo restorationSalim Nam 2 studioPark Seo-jin family photoPark Young-gyuHangout with Yoo MijooTV-featured studioTV photo restorationKBS studioMBC studio8 broadcast appearancesIncheon photo restoration
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1960s black-and-white family group photo. Where AI smears rear-row faces into similar features, Davinci splits each face area individually to restore every family member's original likeness.
Four separate photos become one family portrait — 4-person composite
Four people photographed in different eras, places, and lighting — never once in the same frame. A composite that restarted from an honest 'this looks like different people' first-preview reaction and ended at a portrait the client 'wouldn't trade for any fortune.'
With the departed — two people composited into a single frame, together again
Photos of two people from different times and places, brought into one frame. A composite for the photo with a passed parent, the missing wedding shot, or the grandparent who never met the grandchild.
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