Urn-size two-person composite — an old black-and-white and a faded color photo, into one cherry-blossom scene, 4R

One old black-and-white ID photo of a grandfather, and one faded color photo of a grandmother against a grassy background. With no photo of the two together, the family asked for one image of them brought together in hanbok.

Leave it to AI and joining an old black-and-white photo with a faded color one throws the tones out of register, so it never reads as one picture. Davinci reworks the two originals to one light source and one period tone, carrying the original likenesses over intact and leaving untouched the expressions the family recognizes. The pose, gaze, and even the weave of the fabric have to be matched by hand into one scene.

This work newly composed the grandfather in a blue hanbok and the grandmother in a pink hanbok seated side by side on a park bench in full cherry blossom, hands clasped together. The spring light was kept calm to suit a 4R urn print, finished as a photo well suited to a place visited often.

One free preview before payment, finished after the family signs off. The same 32-year standard used for memorial and restoration work applies to composite work as well.